Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Schulz, Dieter
Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.Source: Journal
VI. Topical Studies
C. Keyboard Works
Schulz, Thomas
Year: 2020 (in progress)
Complete Citation:
Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Schwartz, David Thomas
Year: 2004
Complete Citation:
Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sender, Shelby L.
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Service, Jr., Alfred Roy
Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.Notes: Ives is one of seven-teen composers discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sherwood, Gayle D.
Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shultis, Christopher L.
Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Siepmann, Jeremy
Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Skinner, Myles L.
Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Slonimsky, Nicolas
Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.Notes: Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Sole, Kenneth Gale
Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Stein, Alan
Year: 1975
Complete Citation:
Stein, Alan. “The Musical Language of Charles Ives’ Three Places in New England.” D.M.A. diss., University of Illinois, 1975.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Strack, Sandra S.
Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.IV. Individual Studies by Genre
C. Keyboard Works
Stringham, Edward J.
Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Strobel, Sandra Lee
Year: In progress (2020)
Complete Citation:
Strobel, Sandra Lee. “The Organ Music of Charles Edward Ives.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2020 (in progress).Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
