Alexander, Michael John
    Year: 1986
Complete Citation: 
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation: 
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
Allen, Sandra Gillette
    Year: 1966
Complete Citation: 
Allen, Sandra Gillette. “Salient formal and thematic structures in the  four violin sonatas of Charles Ives.” M.A. Thesis, University of  Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
    Year: 1970
Complete Citation: 
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony  of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Arlton, Dean Luther
    Complete Citation: 
Arlton, Dean Luther. “American piano sonatas of the twentieth century:  selective analyses and annotated index.” Thesis, Columbia University,  1968.IV. Individual Studies by Genre
C. Keyboard Works
Arnold, Gregory Palmer
    Year: 1976
Complete Citation: 
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and  compositional style as applied to five works for chamber orchestra.”  M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Babcock, Michael J.
    Year: 1974-1975
Complete Citation: 
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Babko, Jeff
    Year: 2014
Complete Citation: 
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Baker, John Wesley
    Year: 1968
Complete Citation: 
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets  of Charles Ives.” M.A. thesis, University of California, Davis, 1968.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ballard, Lincoln M.
    Year: 2001
Complete Citation: 
Ballard, Lincoln M. “Similar directions, possible influences:  parallels between the music of Alexander Scriabin and Charles Ives.”  M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bardi, Aloma
    Year: 2004
Complete Citation: 
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Baron, Carol Kitzes
    Year: 1987
Complete Citation: 
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory  of Pitch Organization, and a New Critical Edition for the Three Page  Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Bärtschi, Werner
    Year: 1986
Complete Citation: 
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Bäßler, Hans
    Year: 1992
Complete Citation: 
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Beck, Jay L.
    Year: 1983
Complete Citation: 
Beck, Jay L. “The compositional process of Charles Ives's first  piano sonata, first movement.” M.M. thesis, Brigham Young University,  1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Nancy Ann
    Year: 1977
Complete Citation: 
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy  on the content of some of his latter songs, 1919-1921.” M.A. Thesis,  Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bengford, Timothy J.
    Year: 2003
Complete Citation: 
Bengford, Timothy J. “Patriotic, political and sociological dimensions  in the songs of Charles Ives.” M.A. thesis, California State  University, Los Angeles, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Benkelman, Robert Jon
    Year: 1969
Complete Citation: 
Benkelman, Robert Jon. “An investigative analysis and historical  background of the second movement of the first orchestral set of  Charles Edward Ives (Three Places In New England: II. General  Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Berger, Arthur V.
    Year: 1934
Complete Citation: 
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Berneking, Vicki Lynn
    Year: 1973
Complete Citation: 
Berneking, Vicki Lynn. “A study of two twentieth-century piano  sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A.  thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses