Burge, David
    Year: 1986
Complete Citation: 
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.Source: Journal
Reprints: Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
 IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation: 
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.Notes: Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”
 Source: Magazine, Book
Reprints: Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
 IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation: 
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.Source: Magazine
Reprints: Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
 IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation: 
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.Source: Chapter in Book
Reprints: Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.
 IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation: 
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation: 
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
Year: 2018
Complete Citation: 
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
Burk, James M.
    Year: 1974
Complete Citation: 
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.IV. Individual Studies by Genre
C. Keyboard Works
Burkholder, J. Peter
    Year: 2002
Complete Citation: 
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Calvert Bean, Jr.
    Year: 1969
Complete Citation: 
Calvert Bean, Jr. “Re: Variations on ‘America.’” Instru-mentalist 24/2 (September 1969): 14.IV. Individual Studies by Genre
C. Keyboard Works
Cameron, Janet
    Year: Year unlisted
Complete Citation: 
Cameron, Janet. “An Analysis of the First Movement of the First Piano  Sonata by Charles Ives.” Seminar paper, University of Illinois, year  unlisted.Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Carson, Gerald
    Year: 1965
Complete Citation: 
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Catmull, Joan Carol
    Complete Citation: 
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A.  thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Chmaj, Betty E.
    Year: 1989
Complete Citation: 
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Clarke, Gary E.
    Year: 1965
Complete Citation: 
Clarke, Gary E. "A study of the music of Charles Edward Ives.”  B.A. thesis, Cornell College, 1965.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Clark, Sondra Rae
    Complete Citation: 
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation: 
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives  as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass.,  1840-1860,”’” Master’s Thesis, San Jose State College, 1966.Notes: Unpublished Master’s Thesis
 Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation: 
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation: 
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Cohn, Arthur
    Year: 1962
Complete Citation: 
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works