Image
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.
Bibliography
Genres
Fernández, Anouska Antúnez
Year: 2005
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Finnissy, Michael
Year: 1985
Complete Citation:
Finnissy, Michael. “Almeida Festival: Nancarrow and Ives.”Tempo 154 (September 1985): 45-46.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Fischer, Fred
Year: 1975-1976
Complete Citation:
Fischer, Fred. “Ives' Concord Sonata.” PQ 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Fischer, Fred. Ives’ Concord Sonata. Denton, Texas: C-G Productions, 1981.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Fisher, Fred
Year: 1975-76
Complete Citation:
Fisher, Fred. “Ives's Concord Sonata.” Piano Quarterly 92 (1975-1976): 23-27.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Fisher, Fred. Ives’ Concord Sonata. Denton, TX: C/G Productions, 1981.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Fleming, Shirley
Year: 1975
Complete Citation:
Fleming, Shirley. “Of Ives, Elephants, and Polish Independence: A Five Day Festival Covers It All.” High Fidelity/Musical America 25/2 (February 1975): 26-29.Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Forte, Allen
Year: 1977
Complete Citation:
Forte, Allen. “Ives and Atonality.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 159-186. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Frankenstein, Aflred
Year: 1962
Complete Citation:
Frankenstein, Alfred. “Ives’ Concord Sonata—A Great Day for American Music.” ACA Bulletin, Special Commemorative Issue, Vol. 10, No. 2, (May 1962).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gaede, Annemarie
Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.Notes:
Betreut von Prof. Jecker und Prof. Löbner.
Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gail, Dorothea
Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gann, Kyle
Year: 1994
Complete Citation:
“How Peculiar?” Village Voice 39/24 (June 14, 1994): 84.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gantz, Jeffrey
Year: 2013
Complete Citation:
Gantz, Jeffrey. “Ives Celebration Looks at Lesser-Known Works.” The Boston Globe, October 22, 2013.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Gardner, Kara Anne
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gelles, George
Year: 1970
Complete Citation:
Gelles, George. “American Festival No. 27.” [Washington] Sunday Star. April 19, sec. D: 12.Notes:
Includes a summary of works and performances for the first twenty--six years of the annual festival.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Ghandar, Ann
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Notes:
Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Giebisch, Thomas
Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works