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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Giebisch, Thomas

Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Gilday, Edward F.

Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.
Notes:

A description of the song The Greatest Man to accompany the article. Included a recording.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gillespie, John

Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.
Notes:

One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”

Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works

Goldman, Mary K.

Year: 2015
Complete Citation:
Goldman, Mary K. “Celebrating the Independent Yankee Spirit of Charles Ives.” Buffalo News, April 11, 2015.
Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Gollin, Rita K.

Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goodman, John

Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Griffiths, Paul

Year: 1996
Complete Citation:
Griffiths, Paul. “Burnishing Ives’s Reputation Yet Again.” The New York Times (November 5, 1996) C: 13-14.
Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Grout, Donald J.

Year: 1961
Complete Citation:
Grout, Donald J. “Report on the New York Meeting of the International Musicological Society / Rapport Sur La Session De La Société Internationale De Musicologie à New York / Bericht Über Den New Yorker Kongreß Der Internationalen Gesellschaft Für Musikwissenschaft.” In The World of Music, vol. 3, no. 6 (1961): 139-140.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Grözinger, Jürgen

Year: 2001
Complete Citation:
Grözinger, Jürgen. “The American Way: Das Festival «Neue Musik Im Stadthaus Ulm» 7. Bis 18. Oktober 2001.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 62-63.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hamad, Michael

Year: 2017
Complete Citation:
Hamad, Michael. “Weeklong Concert Series Pairs the Music of Charles Ives with Today's Composers.” Hartford Courant, August 1, 2017.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2017
Complete Citation:
Hamad, Michael. “Charles Ives Concert Series; Weeklong Music Festival Returns; Opens Today in Danbury.” The Hartford Courant, August 6, 2017.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Harrison, Lou

Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.
Source: Score
Reprints:

Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.

IV. Individual Studies by Genre
C. Keyboard Works

Hartman, James B.

Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Harvey, Mark

Year: 2004
Complete Citation:
Harvey, Mark. “A True Original.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Haskell, Harry

Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hayes, Malcolm

Year: 1985
Complete Citation:
Hayes, Malcolm. “Almeida Festival: Antheil, Vivier et al.” Tempo 154 (Sep-tember 1985): 46-49.
Source: Review of Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Henck, Herbert

Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works