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Bibliography

Kirkpatrick, John

Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John (editor)

Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kramer, A. Walter

Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Krehm, Ida

Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Kubik, Gail T.

Year: 1936
Complete Citation:
Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Lambert, J. Philip

Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lyle, Wilson

Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.
Notes:

p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Mack, Dieter

Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Mandel, Alan

Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2003
Complete Citation:
Mandel, Alan. “Piano Music by Elie Siegmeister, Kenneth Boulton.” American Music 21, no. 4 (Winter 2003): 532.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Mandel, Alan R.

Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.
Notes:

Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).

Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works

Marks, Adam

Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Masselos, William

Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.
Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works

Massey, Drew

Year: 2007
Complete Citation:
Massey, Drew. “The Problem of Ives’s Revisions, 1973-1987.” Journal of the American Musicological Society, vol. 60, no. 3 (2007): 599-645.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices