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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

George, Phillip; Alburger, Mark

Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gereben, Janos

Year: 2000
Complete Citation:
Gereben, Janos. “Views, Reviews, Previews: ‘Rake’ Progresses at SFO; Ives Rules at Symphony ‘Mavericks.’” Oakland Post, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gereben, Janos. “Concert Reviews: The Fourth of Faith.” 21st Century Music, Vol. 7, No. 8, (2000): 21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ghandar, Ann

Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Notes:

Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Giebisch, Thomas

Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Gilday, Edward F.

Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.
Notes:

A description of the song The Greatest Man to accompany the article. Included a recording.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gillespie, John

Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.
Notes:

One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”

Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works

Gilman, Lawrence

Year: 1939
Complete Citation:
Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
Reprints:

Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” In <i>Charles Ives and His World</i>, 316-321. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “Music: A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “Music.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gilmore, Bob

Year: 2010
Complete Citation:
Gilmore, Bob. “Criticism: Recorded - Heather O’Donnell: “Responses to Ives.”” JMI: The Journal of Music in Ireland, Vol. 1, No. 6 (2010): 60.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ginell, Richard S.

Year: 2002
Complete Citation:
Ginell, Richard S. “Music Review; Chamber Society Revels in Ives’ Iconoclasm: Home Edition.” The Los Angeles Times, March 27, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2013
Complete Citation:
Ginell, Richard S. “Ojai Festival and Mark Morris: Tour de Force, of Course.” American Record Guide, Vol. 76, No. 5 (2013): 19-21.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Glanville-Hicks, Peggy

Year: 1949
Complete Citation:
Glanville-Hicks, Peggy. “William Masselos: Pianist Presents Ives Sonata at Y.M.HA. Hall.” New York Herald Tribune, February 18, 1949, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Glass, Herbert

Year: 1987
Complete Citation:
Glass, Herbert. “On the Record: Mainstream Americana.” Los Angeles Times, January 18, 1987, 60.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Glass, Herbert. “On the Record: More Early Americana on CDs.” Los Ange-les Times, October 8, 1989: 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1991
Complete Citation:
Glass, Herbert. “Ives—Will He Have Staying Power This Time?” Los Ange-les Times, April 14, 1991, sec. CAL, 49.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “On the Record: An American Triple Play.” Los Angeles Times, May 16, 1993, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews