Image
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Bibliography
Genres
Bardi, Aloma
Year: 2004
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Barnes, C.
Year: 1967
Complete Citation:
Barnes, C. “Charles Ives’ Salute to the Fourth of July: Violently Original.” The Christian Science Monitor, 1967, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Barns, Greg
Year: 2003
Complete Citation:
Barns, Greg. “SOUNDS: 1 Edition.” Mercury, August 30, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Baron, Carol Kitzes
Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Barry, Malcolm
Year: 1979
Complete Citation:
Barry, Malcolm. “Modern.” Concert Reviews. Music and Musicians 27, no. 12 (August 1979): 47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bärtschi, Werner
Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bäßler, Hans
Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Beard, William R.
Year: 2008
Complete Citation:
Beard, William R. “Music of the Americas Comes in all Stripes; MUSIC REVIEW: From Ives and Gershwin to Peruvian Jimmy Lopez’s “Fiesta!” a Wonderfully Diverse Program is Presented at the St. Paul Chamber Orchestra.” Star Tribune (Minneapolis, MN), November 15, 2008, 2.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bellison, L.
Year: 1954
Complete Citation:
Bellison, L. “2 Get the Right Pitch on the Jew’s-Harp: Professional Musicians, both from City, Win Chance to Play Under Stokowski.” The New York Times, February 17, 1954, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bender, William
Year: 1965
Complete Citation:
Bender, William. “‘New’ Ives Work: Bravo.” New York Herald Tribune. April 27, 1965, 15.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Berger, Arthur V.
Year: 1932
Complete Citation:
Berger, Arthur V. “Ruggles Work Performed.” Sunday Mirror (New York). January 24, 1932.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Music.” New York Daily Mirror. May 3, 1932: 24.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Yaddo Musical Festival.” Daily Mirror, New York, Final Edition. May 3, 1932: 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Pan-American Association.” Daily Mirror, New York, Extra Edition, February 17, 1932, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1946
Complete Citation:
Berger, Arthur V. “Three New Sonatas.” New York Herald Tribune, November 12, 1946, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bernheimer, Martin
Year: 1971
Complete Citation:
Bernheimer, Martin. “Philharmonic does Ives’ 1st.” Los Angeles Times, 1971, A6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Bernstein, Leonard
Year: 1962
Complete Citation:
Bernstein, Leonard. “Program Five, Folk Music in the Concert Hall.” In Young People's Concerts for Reading and Listen-ing. New York, NY: Simon and Schuster, 1962.Notes:
Includes discussion about Symphony No. 2 (109--111). Supplement has an abridged recording of the last movement on a 7-inch LP record.
Source: Book
Reprints:
Bernstein, Leonard. <i>Revised, and Newly Expanded: Leonard Bernstein's Young People's Concerts</i>, edited by Jack Gottlieb. New York: Anchor Books, Doubleday, 1992.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Blangger, Tim
Year: 2001
Complete Citation:
Blangger, Tim. "Buckner Boosts Stock of Charles Ives: First Edition." The Morning Call, March 21, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances