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Bibliography

Kastendieck, Miles

Year: 1965
Complete Citation:
Kastendieck, Miles. “Ives Premiere—After 49 Years.” New York Journal American, April 27, 1965.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kastendieck, Miles. “The Pioneering Ives.” New York Journal American, April 25, 1965, 31.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kelly, John Alexander

Year: 1931
Complete Citation:
Kelly, John Alexander. “Musical Settings of Goethe’s Poems in America.” The Germanic Review VI, 3 (July 1931): 241.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kennicott, Philip

Year: 1998
Complete Citation:
Kennicott, Philip. “Schuller’s Return Blends ‘New’ Ives, ‘Old’ Masters.” St. Louis Post-Dispatch, March 2, 1998, sec. B, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Kennicott, Philip. “NSO, Up To the Challenge Of Ives’s Genius.” Washing-ton Post, April 27, 2001, sec. C, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kenyon, Nicholas

Year: 2009
Complete Citation:
Kenyon, Nicholas. “Review: Critics: Releases: CLASSICAL: Ives, Complete Choral Psalms SWR Vokalensemble Stuttgart/Marcus Creed.” The Observer (London, England), February 22, 2009, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Keogh, Tom

Year: 2015
Complete Citation:
Keogh, Tom. “And Now for Something Completely Different: Charles Ives’ Fourth.” The Seattle Times, January 23, 2015, E23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerins, Annabelle

Year: 2004
Complete Citation:
Kerins, Annabelle. “This Weekend: Queens Edition 1.” Newsday, January 23, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerr, Harrison

Year: 1932
Complete Citation:
Kerr, Harrison. “Die Gurre-lieder and the Festival at Yaddo.” Trend 1 (June-August, 1932): 57.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “Creative Music.” Trend 2 (April-June 1933): 87-89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. Trend 2 (April-June 1933): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “The League of Composers Presents—Rather Tardily—Mr. Florent Schmitt.” Trend 1 (January-March 1933): 142.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Kerr, Harrison. “Creative Music and the New School.” Trend (March-April 1934): 89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kimmelman, Michael

Year: 1988
Complete Citation:
Kimmelman, Michael. “Concert: Marc-Andre Hamelin Plays Ives: Review.” The New York Times, January 16, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kirby, Frank E.

Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.
Source: Book
Reprints:

Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.

IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John

Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John (editor)

Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kisselgoff, Anna

Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle: Review.” The New York Times, June 19, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances