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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Oestreich, James R.

Year: 2000
Complete Citation:
Oestreich, James R. “Varese's Memorable 'Ameriques' vs. Ives's Fourth.” The New York Times, May 1, 2000, sec. E, 5. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Oestreich, James R. “Multiple Bands on Parade, Not Afraid to Collide: Review.” The New York Times, August 20, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Oestreich, James R. “Out with Berlioz, in with Ives.” The New York Times, September 7, 2003, AR80.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Oestreich, James R. “From Medieval Song to Ives, A Series of Spring Farewells. (The Arts/Cultural Desk).” The New York Times, May 19, 2004, E3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Orga, Ates

Year: 1967
Complete Citation:
Orga, Ates. “Anglo-American.” Music and Musicians 16, no. 4 (December 1967): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Osborne, William

Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Page, Tim

Complete Citation:
Page, Tim. “Masur Leads A Concert Of ‘Originals.’” Newsday. May 31, 1994, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Page, Tim. “Continuum in Tribute to Ives.” New York Times, February 1987, sec. C, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1992
Complete Citation:
Page, Tim. “A Rousing Opener At Miller Theater.” Newsday. October 5, 1992, 45.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1994
Complete Citation:
Page, Tim. “America, to the Tunes of Ives and Adams.” Newsday, November 14, 1994, B09.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1997
Complete Citation:
Page, Tim. NSO “Visits the Cradle of Classical: U.S. Music Is Focus of European Tour.” The Washington Post (1997): G1, G8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Page, Tim. “Charmed Ives: Giving the Composer His due: FINAL Edition.” The Washington Post, March 10, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pappastavrou, George

Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Parker, Derek

Year: 1975
Complete Citation:
Parker, Derek. “The Wrong Notes are Right: Charles Ives.” The Times, May 29, 1975, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Parmenter, Ross

Year: 1960
Complete Citation:
Parmenter, Ross. “Music: Lincoln Program.” The New York Times. February 11, 1960, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1964
Complete Citation:
Parmenter, Ross.“The World of Music: I.S.C.M. Concert ‘Under the Lippolds’ Will Benefit Its Downtown Series.” The New York Times, February 9, 1964.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Parthun, Paul

Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Paul, James

Year: 1970
Complete Citation:
Paul, James. “Music of Organ, Ives and Voice.” Jewish Advocate, 1970, A4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Perkins, Francis D.

Year: 1925
Complete Citation:
Francis D. Perkins, “Quarter-Tone Feature at Referendum Concert.” New York Herald Tribune (February 15, 1925): 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances