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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Poteete, Robert A.

Year: 1954
Complete Citation:
Poteete, Robert A. “Jew's Harp Call Draws 24 Players.” New York Herald Tribune, February 17, 1954, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Potter, Keith

Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Prunières, Henry

Year: 1931
Complete Citation:
Prunières, Henry. “American Composers in Paris.” The New York Times, July 12, 1931, 6, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times. July 12, 1931, sec. 8, 6.
Source: Newspaper
Reprints:

Prunières, Henry. “American Compositions in Paris.” Translated by Frank R. Rossiter. <i>Charles Ives and His World</i>.<i> </i>Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rákai, Zsuzsanna

Year: 2014
Complete Citation:
Rákai, Zsuzsanna. “Hangverseny: Ránki, Keller, Concerto Budapest.” Muzsika, Vol. 57, No. 6 (2014): 46-47.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ramey, Corinne

Year: 2014
Complete Citation:
Ramey, Corinne. “Arts & Entertainment: Giving a Hat Tip to an American Original --- Society Re-Creates Studio of Charles Ives.” The Wall Street Journal, March 4, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rasmussen, Jane E.

Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.
IV. Individual Studies by Genre
C. Keyboard Works

Rathert, Wolfgang

Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Raven, Seymour

Year: 1959
Complete Citation:
Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Raynor, Henry

Year: 1966
Complete Citation:
Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Recchi, Ray

Year: 1993
Complete Citation:
Recchi, Ray. “Shh! Sit Down and Mind Your Manners: Sports Final Edition.” Sun-Sentinel, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reed, Alice S.

Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Reed, James

Year: 2005
Complete Citation:
Reed, James. “Get Wrecked: Third Edition.” The Boston Globe, March 16, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reel, James

Complete Citation:
Reel, James. “Majoros’ Portrayal Brings Ives to Life.” The Arizona Daily Star, April 26, 1991.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reinthaler, Joan

Year: 1974
Complete Citation:
Reinthaler, Joan. “Ives Concert.” The Washington Post, September 30, 1974, B11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1984
Complete Citation:
Reinthaler, Joan. “Portrait of Ives.” The Washington Post, July 2, 1984: C9.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Reinthaler, Joan. “Alan Mandel: FINAL Edition.” The Washington Post, November 16, 1987.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Rhein, J. von

Year: 1984
Complete Citation:
Rhein, J. von. “Chicago: the CSO's Adventurous Autumn.” Ovation 4 (March 1984): 26.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances