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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rockwell, John

Year: 1990
Complete Citation:
Rockwell, John. “A Pianist Juxtaposes Charles Ives and Art Tatum.” The New York Times, March 26, 1990, C12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodriguez, Joe

Year: 1933
Complete Citation:
Rodriguez, Jose. “Interest Proved Strong in Modern American Music.” Los Angeles Times January 1, 1933, 30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodriguez, José

Year: 1933
Complete Citation:
Rodriguez, José. “An Old Lady Gets Three Shots in the Arm.” Rob Wagner’s Script, January 7, 1933, 6-7.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rogers, H.

Year: 1966
Complete Citation:
Rogers, H. “Ives Shoots the Works: Comedy of Surprises.” The Christian Science Monitor, 1966, 16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Romano, Jacoho

Year: 1969
Complete Citation:
Romano, Jacoho. “Retratos de musicos americanos: Charles Edward Ives.” Buenos Aires Musical 24/398 (July 16, 1969): 3.
Notes:

A general article, dis-cussing biography, style, and several works (e.g., Concord Sonata).

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Romina de la Sotta Donoso

Year: 2011
Complete Citation:
Donoso, Romina de la Sotta. “Hoy Se Estrena Emblemática Obra De Charles Ives.” Mercurio (Santiago, Chile), August 4, 2011.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rorem, Ned

Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Notes:

([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Rosenfeld, Paul

Year: 1932
Complete Citation:
Rosenfeld, Paul. “Critics of Music Are Denounced by Composers.” New York Herald Tribune, May 2, 1932, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul “American Premieres.” The New Republic 70/907 (April 20, 1932): 273--274.
Notes:

Questions the selection of some of the pieces instead of “one of the larger compositions by Ives,” among others.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “A Musical Tournament.” New Republic 71 (June 15, 1932): 121.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works

Rosenfeld, Paul and Herbert A. Leibowitz, eds.

Year: 1969
Complete Citation:
Rosenfeld, Paul. “Charles Ives.” In Musical Impressions: Selections from Paul Rosenfeld’s Criticism, edited by Herbert A. Leibowitz. London, United Kingdom: G. Allen & Unwin, 1969.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ross, Alex

Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times, November 15, sec. C, 20.
Notes:

The reviewer concludes that Ives’s “question goes unanswered.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “In Bells and Microtones, A Legend Comes to Life.” The New York Times, June 8, 1996, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Ives and Mahler, Through the Same Lens.” The New York Times, February 20 1996, section C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Tribute to Ives After 30-Year Effort.” New York Times. Feb-ruary 23, 1996, sec. C, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Ross, Alex. “The Critics: Musical Events - All the Lonely People.” The New Yorker, Vol. 75, No. 22 (1999): 83-84.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rostkowski, David

Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.
Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works

Round, Michael

Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works