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Bibliography

Schott, Howard

Year: 1989
Complete Citation:
Schott, Howard. “Ives, Schubert & Strauss at Symphony.” Jewish Advocate, 1989, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schubert, Giselher

Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.
Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schuermann, H.G.

Year: 1986
Complete Citation:
Schuermann, H.G. “Musik zwischen Metaphysik und Experiment: dreitägiger Workshop Charles Ives in Bonn.” Musikhandel 37/4 (1986): 177-178.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schulz, Dieter

Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.
Source: Journal
VI. Topical Studies
C. Keyboard Works

Schuneman, Robert

Year: 1976
Complete Citation:
Schuneman, Robert. “Kim Kasling In Chicago-A Review.” The Diapason 67, no. 2 (January 1976): 9.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schweitzer, Vivien

Year: 2013
Complete Citation:
Schweitzer, Vivien. “Chaos Assembled, Beauty Emerges: Arts and Leisure Desk.” The New York Times, April 14, 2013.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scott Warfield

Year: 2004
Complete Citation:
Warfield, Scott. “Crowd Didn’t Fully Appreciate Unique Music; The National Symphony Orchestra Concert Was Like the Work of Charles Ives — Extraordinary Final Edition.” The Orlando Sentinel, February 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sebastian, John

Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sellars, James E.

Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Serebrier, José

Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI 4 (1984): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Shavin, Norman

Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, John K.

Year: 1943
Complete Citation:
Sherman, John K. “Contemporary Music Group in Concert.” Minne-apolis Star Journal (December 2, 1943): 14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, R.

Year: 1986
Complete Citation:
Sherman, R. “Modern Works in Abundance.” The New York Times, February 19, 1986, CN13.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, Robert

Year: 1988
Complete Citation:
Sherman, Robert. “MUSIC; Some Concert ‘Firsts’ are Scheduled.(Westchester Weekly Desk).” The New York Times, March 6, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances