Image
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.
Bibliography
Genres
Cantrell, Scott
Year: 1996
Notes:
Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Cantrell, Scott. “Series Returns Spotlight to Charles Ives.” Dallas Morning News, November 26, 2000, 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Cantrell, Scott. “Composer Inspired a World of Possibilities: DSO Con-cert Will Honor Musical Pioneer Charles Ives.” Dallas Morning News, September 20, 2004, sec. E, 4.Notes:
A general article announcing performances by the Dallas Symphony Orchestra of Symphonies Nos. 2 and 3 and Orches-tral Set No. 1: Three Places in New England.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Cariaga, Daniel
Year: 2003
Complete Citation:
Cariaga, Daniel. “Music Review; Ives Finds Splendid Exponent in Svrcek: HOME EDITION.” The Los Angeles Times, April 17, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Carson, Gerald
Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Carter, Elliott
Complete Citation:
Carter, Elliott. “Further Notes on the Winter Season.” Modern Music 16 (March-April 1939): 176.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Caruthers, Osgood
Year: 1959
Complete Citation:
Caruthers, Osgood. “Bernstein, on Birthday, Leads Orchestra in 2 Stravinsky Works.” The New York Times, August 26, 1959, 25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Cattani, Richard J.
Year: 1966
Complete Citation:
Cattani, Richard J. “Kicking Over an Ashcan.” The Christian Science Monitor, July 25, 1966, 6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Caturla, Alejandro J.
Year: 1929
Complete Citation:
Alejandro J. Caturla, “Musica Recibida: Charles E. Ives, 4a Sinfonia.” Musicalia (January-February 1929): 190-191.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Chanler, Theodore
Year: 1934
Complete Citation:
Chanler, Theodore. “Forecast and Review: New York, Spring, 1934.” Mod-ern Music 11/4 (May-June 1934): 206-207.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Chase, Gilbert
Year: 1958
Complete Citation:
1958 - Gilbert Chase. “Situation actuelle de la musique americaine.” La Revue musicale 242 (1958): 97-99.Notes:
A brief overview. Mentions La Question sans Reponse [i.e., The Unanswered Question].
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Chmaj, Betty E.
Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Clark, Sondra Rae
Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.Notes:
Unpublished Master’s Thesis
Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cleary, David
Year: 2005
Complete Citation:
Cleary, David. “Concert Reviews: Just Intonations.” 21st Century Music, Vol. 12, No. 4 (2005): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Clements, Andrew
Year: 1994
Complete Citation:
Clements, Andrew. “Arts: Proms: Short, Sharp Shock Copland Disappoints but Ives Thrills in Tilson-Thomas’s Varied LSO Programme.” The Guardian, July 19, 1994.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Clements, Andrew. “Review: Ear-Opener from a Fertile Mind Charles Ives: The Unanswered Question, Barbican Centre/Radio 3.” The Guardian, January 22, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Clements, Andrew. “Review: Classical: The Ives we should Never have Heard: CBSO/Sloane: Symphony Hall, Birmingham 2/5.” The Guardian, February 27, 2003, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances