Mandel, Alan R.
Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.Notes: Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).
Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works
Marcinik, Laurent
Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Marks, Adam
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Mark, Michael
Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Masselos, William
Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works
Masterson, David Joseph
Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McColley, Robert
Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McCrae, Elizabeth
Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
McGregor, Andrew
Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McLellan, Joseph
Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McPhee, Colin
Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.Notes: An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.Notes: Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Metz, Donald E.
Year: 2006
Complete Citation:
Metz, Donald E. “Collections: “Gillian Weir at Royal Festival Hall.”” American Record Guide, Vol. 69, No. 6 (2006): 229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Metz, Donald E. “Collections: “Variations on America.”” American Record Guide, Vol. 72, No. 6 (2009): 205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Meyer, Felix
Year: 1991
Source: Book
Reprints: Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.
IV. Individual Studies by Genre
C. Keyboard Works
Mikhashoff, Yvar
Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.IV. Individual Studies by Genre
C. Keyboard Works