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Bibliography

Mandel, Alan R.

Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.
Notes:

Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).

Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works

Marcinik, Laurent

Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Marks, Adam

Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Mark, Michael

Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Masselos, William

Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.
Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works

Masterson, David Joseph

Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.
Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works

McClure, John

Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McColley, Robert

Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McCrae, Elizabeth

Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

McGregor, Andrew

Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McLellan, Joseph

Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

McPhee, Colin

Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.
Notes:

An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.
Notes:

Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Metz, Donald E.

Year: 2006
Complete Citation:
Metz, Donald E. “Collections: “Gillian Weir at Royal Festival Hall.”” American Record Guide, Vol. 69, No. 6 (2006): 229.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Metz, Donald E. “Collections: “Variations on America.”” American Record Guide, Vol. 72, No. 6 (2009): 205.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Meyer, Felix

Year: 1991
Complete Citation:
Source: Book
Reprints:

Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.

IV. Individual Studies by Genre
C. Keyboard Works

Mikhashoff, Yvar

Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.
IV. Individual Studies by Genre
C. Keyboard Works