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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rathert, Wolfgang

Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Reed, Alice S.

Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Reel, James

Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Reti, Rudolph

Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.
Notes:

Discusses Con-cord Sonata and Symphony No. 4.

Source: Book
Reprints:

Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.

IV. Individual Studies by Genre
C. Keyboard Works

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Ribakove, Seymour L.

Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rich, Alan

Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Riis, T. L.

Year: 2006
Complete Citation:
Riis, T. L. “Charles Ives, Violin Sonatas Nos. 1-4.” American Music, Vol. 24, No. 2 (2006): 249-250.
Source: Journal (edition/recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Arts Center: ‘Ives.’” High Fidelity/Musical America 25/12 (December 1975): 26-27.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rogers, H.

Year: 1956
Complete Citation:
Rogers, H. “Four Violin-Piano Sonatas; ‘Der Jasager’: Recordings.” The Christian Science Monitor, April 3, 1956, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Roggenkamp, P.

Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Notes:

Discusses the Concord Sonata.

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Rorem, Ned

Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.
Notes:

([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Rosenblum, Joshua

Year: 2001
Complete Citation:
Rosenblum, Joshua. “Ives: Sets for Small Orchestra, Songs.” Opera News, Vol. 66, No. 4 (2001): 53-54.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Rosenblum, Joshua. “Recordings: Choral and Song: Ives: “Songs: Concord Sonata.”” Opera News, Vol. 69, No. 2 (2004): 70.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.
Source: Journal
Reprints:

Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
C. Keyboard Works

Rostkowski, David

Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.
Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works

Round, Michael

Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works