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Complete Citation:
Frankenstein. Alfred. “From Bernstein and the Philharmonic- Ives’s Second Symphony Grandly Conceived.” High Fidelity 10, no. 7 (November 1960): 75-76.
Bibliography
Genres
Frankenstein, Alfred
Year: 1960
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Frankenstein, Alfred. “Ives: Music for Chorus.” High Fidelity/Musical America 17/1, January 1967.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Frankenstein, Alfred. “The Complete Piano Works—Old Friends and Fresh Discoveries.” High Fidelity/Musical America 18/6 (June 1968): 81. Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1970
Complete Citation:
Frankenstein, Alfred. “New Ivesian Discoveries.” High Fidelity/Musical America 20/3, March 1970, 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Freed, Gwendolyn
Year: 2003
Complete Citation:
Freed, Gwendolyn. “CD REVIEW; St. Olaf Choir Sparkles on all-Ives Disc: METRO Edition.” Star Tribune, February 2, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Freed, Richard
Year: 1982
Complete Citation:
Freed, Richard. “A Superb New Set of Charles Ives's Violin/Piano Sonatas from Authoritative Performers of His Music.” Stereo Review 47/11, November 1982, 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
French, Gil
Year: 2009
Complete Citation:
French, Gil. “Chamber Music on the Rise: Canandaigua Lake Music Festival.” American Record Guide, Vol. 72, No. 6, (2009): 34-35.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2009
Complete Citation:
French, Gil. “Collections: “Lincoln Portraits.”” American Record Guide, Vol. 72, No. 4, (2009): 204-205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
French, Gilbert G.
Year: 2002
Complete Citation:
French, Gilbert G. “Ives: “From the Steeples and the Mountains”; “The Things Our Fathers Loved”; “The Pond”; [and others].” American Record Guide, Vol. 65, No. 3, (2002): 125-126.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fuchsberg, Larry
Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fuhrmann, Peter
Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gaede, Annemarie
Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.Notes:
Betreut von Prof. Jecker und Prof. Löbner.
Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gail, Dorothea
Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gann, Kyle
Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2003
Complete Citation:
Gann, Kyle. “Not Gift Wrapped: New Frederic Rzewski Discs Reveal a Thinking Person's Postmodern Music.” The Village Voice, Vol. 48, No. 6 (2003): 101.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Gardner, Kara Anne
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Garvelmann, Donald
Year: 1977
Complete Citation:
Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gatens, William J.
Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews