Image
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.
Bibliography
Genres
Schulz, Dieter
Year: 2004
Source: Journal
VI. Topical Studies
C. Keyboard Works
C. Keyboard Works
Schwarz, K. Robert
Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Siepmann, Jeremy
Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Slonimsky, Nicolas
Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.Notes:
Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Sokolow, Anna
Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Sokolow, Anna and Ilene Fox
Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.Notes:
Choreography from 1971.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Sokolow, Anna, choreographer
Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Strack, Sandra S.
Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Stringham, Edward J.
Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Sweet, Michael
Year: 2014
Complete Citation:
Sweet, Michael. “Charles Ives: Concord Sonata (1919).” In Writing Interactive Music for Video Games: A Composer’s Guide. Upper Saddle River, NJ: Addison-Wesley, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Sykes, James
Year: 1964
Complete Citation:
Sykes, James. “Program Notes on the Shorter Piano Pieces of Charles Ives.” Liner notes for The Short Piano Pieces of Charles Ives. Folkways FM 3348, 1964, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Taper, Bernard
Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.Notes:
Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).
Source: Book
Reprints:
Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Taylor, Paul, choreographer
Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Teachout, Terry
Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.Notes:
Interview with Paul Taylor.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Terry, Walter
Year: 1954
Complete Citation:
Terry, Walter. “New York City Ballet.” New York Herald Tribune, September 15, 1954, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Toncitch, Vonya
Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Trischler, Joyce, choreographer
Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Tryon, Winthrop P.
Complete Citation:
Tryon, Winthrop P. “New Yorker Writing Music for Quarter-Tone Piano.” Christian Science Monitor, January 13, 1925, 10.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Tyler, Charles Ives
Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.Notes:
Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works