decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Clark, Sondra Rae

Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cohn, Arthur

Year: 1962
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Conen, Hermann

Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cowell, Henry.

Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cowell, Henry Dixon

Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Cowell, Sidney

Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Crutchfield, Will

Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Denby, Edwin

Year: 1954
Complete Citation:
Reviews: Edwin Denby. "Balanchine's American Ballet [Ivesiana]." Center 1 (October 1954): 14--18.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Denk, Jeremy

Year: 2012
Complete Citation:
Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Dingle, Christopher

Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Duckworth, William

Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Dumm, Robert

Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Dunning, Jennifer

Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Eberson, Sharon

Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Echols, Paul C.

Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.
Reprints:

Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.

IV. Individual Studies by Genre
C. Keyboard Works