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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
(-) XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Arlton, Dean Luther

Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.
IV. Individual Studies by Genre
C. Keyboard Works

Babcock, Michael J.

Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Babko, Jeff

Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Baldwin, Linda, producer-director

Year: 1979
Complete Citation:
Baldwin, Linda, producer--director. “12th Street Rag.” Nebraska Educational Television Network for the Mid--America Arts Alliance. November 22, 23, 24, 1979.
Source: Telecast
Reprints:

Telecast on stations in Missouri, Oklahoma, Kansas, and Nebraska.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Baron, Carol Kitzes

Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Berger, Arthur V.

Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bernstein, Leonard

Complete Citation:
Leonard Bernstein, narrator/conductor. Charles Ives: American Pioneer, Sony Classical Video Music Education, 1993. 60 minutes. From CBS-TV telecast.
Notes:

Performances included The Gong on the Hook and Ladder, or Firemen's Parade on Main Street; "Washington's Birthday" from A Symphony: Holidays; The Circus Band March; and The Unan- swered Question. Also included Lincoln, the Great Commoner (Simon Estes, bass-baritone; Leonard Bernstein, piano

Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Bernstein, Leonard, narrator/conductor

Year: 1992
Complete Citation:
Leonard Bernstein, narrator/conductor. The Unanswered Question, lec-ture series at Harvard University, Cambridge, MA. Videocassettes and DVDs (Princeton, NJ: Kultur International Films, Ltd., 1992): "The Twentieth Century Crises?"
Notes:

Includes excerpts from The Unanswered Question.

Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Bernstein, Leonard; New York Philharmonic

Complete Citation:
“Charles Ives: American Pioneer.” New York Philharmonic Young Peo-ple’s Concerts with Leonard Bernstein. New York, NY: CBS-TV, 60 minutes. February 23, 1967.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Boatwright, Howard

Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Brockway, Merrill, producer

Year: 1970
Complete Citation:
Brockway, Merrill, producer. “La Belle Epoque.” Camera Three. Virgil Fox, organ. WCBS-TV, 30 minutes. Fall 1970.
Source: Telecast/Videocassette
Reprints:

Includes Variations on “America.” Available on videocassette.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works