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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rummenhöller, Peter

Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Scholz, Gottfried

Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.
Notes:

Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schönlau, Stephan

Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Schubert, Giselher

Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.
Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schulz, Dieter

Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.
Source: Journal
VI. Topical Studies
C. Keyboard Works

Selnick, P.

Year: 1949
Complete Citation:
Selnick, P. Sketch. New York Times Magazine (1949 October 23): 15.
Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Shilstone, Arthur

Year: 1974
Complete Citation:
Shilstone, Arthur. Portrait. “Timmins’ Works Highlight the Life of Charles Ives.” Redding Pilot, June 13, 1974.
Source: Newspaper/Magazine
XVI. Photographs and Artwork
B. Artwork

Siepmann, Jeremy

Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Silverman, Burt

Complete Citation:
Silverman, Burt illustrator. Charles Ives. In Composers and Conductors set of 32 cents stamps issued by the United States Postal Service in the “Legends of American Music” series. Issued in Cincin-nati, OH: Scott Postage Stamp Catalog, Number 3164, 1997.
Source: Postage Stamp
Reprints:

Illustration after a photograph by Halley Erskine; designed by Howard Paine of Delaplane, VA. Printed by Ashton-Polter (USA) Ltd. Nationwide sale on September 13, 1997.

XVI. Photographs and Artwork
C. Other

Sipprell, Clara E.

Year: 1948
Complete Citation:
Sipprell, Clara E. Portrait -photographs of Ives and his wife, alone and to-gether. 1948. Taken in her studio. In American Characters: Selections from the National Portrait Gallery Accompanied by Literary Portraits. New Haven, CT: Yale University Press, 1999: 284.
Source: Photograph
Reprints:

Sipprell’s photographs are held in the Amon Carter Museum in Fort Worth, TX. Syracuse University also has a collection of her photographic prints.

XVI. Photographs and Artwork
A. Photographs

Slonimsky, Nicolas

Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.
Notes:

Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Smith, W. Eugene

Year: 1947
Complete Citation:
Smith, W. Eugene. Portrait -photographs of Ives, Mrs. Ives, and Julian S. Myrick. April, 1948. Photograph. Life, October 31, 1949, 45.
Notes:

In the “Life Congratulates” Section for Ives’s 75th birthday. On assignment from <i>Life</i> magazine. Taken in the New York home of the Iveses. In <i>Photographs, 1934-1975</i>, Hill states that this photograph was "a particular favourite of Smith’s" (164).

Source: Photograph
Reprints:

Mack Burk, James and Michael J. Budds. <i>A Charles Ives Omnibus</i>, 50. Hillsdale, New York: Pendragon Press, 2008. * Bogan Liquor. Advertisement. <i>El Commercio</i> [Quinto, Ecuador] (July 7, 1970): 10. * Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. New Haven, CT: Yale University Press, 1974. See B0687: 42-44. * <i>Photographs, 1934-1975</i>,<br>edited by Gilles Mora and John T, 165. Hill. Paris: Editions du Seuil, 1998; English translation: London: Thames and Hudson, Ltd., 1998, and New York: Harry N. Abrams, 1998. * Also reproduced: numerous times on other recording covers, and in books.

XVI. Photographs and Artwork
A. Photographs
Year: 1949
Complete Citation:
Smith, W. Eugene, “Charles Ives, a photograph.” Life Magazine. October 31, 1949, 45.
Source: Magazine
XVI. Photographs and Artwork
A. Photographs

Strack, Sandra S.

Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.
IV. Individual Studies by Genre
C. Keyboard Works

Stringham, Edward J.

Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works