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Bibliography

Adler, Paula

Year: 1979
Complete Citation:
Adler. Paula. “El mundo de Charles Ives.” Heterfonia 12/3 (1979): 25-27.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Albrecht, Henning, Benjamin Scheuer and Christian Schmidt

Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Allenby, David

Year: 1991
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.
Notes:

Regarding The Unanswered Question and Central Park in the Dark.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Althouse, Jay and Judith O’Reilly

Year: 2001
Complete Citation:
Althouse, Jay and Judith O’Reilly. “Charles Ives (1874-1954).” In Accent on Composers: The Music and Lives of 22 Great Composers. Van Nuys, CA: Alfred Music, 2001.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

ap Sion, Pwyll

Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.
Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Archabal, Nina

Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Arlton, Dean Luther

Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.
IV. Individual Studies by Genre
C. Keyboard Works

Babcock, Michael J.

Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Babko, Jeff

Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Baily, Dee

Year: 1978
Complete Citation:
Baily, Dee. “A Report on the American Musicological Society/Music Library Association Translations Center.” Notes 35/1 (1978): 57-60.
Source: Journal
V. General Music Studies
C. Other

Bakeless, Katherine Little

Year: 1941
Complete Citation:
Bakeless, Katherine Little. “Charles Ives, 1984--1954.” In Story Lives of American Composers, 186-193. Phila-delphia, PA: J.B. Lippincott & Co., 1941.
Notes:

A book for teenagers.

Source: Book
Reprints:

Revised edition, 1962.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1958
Complete Citation:
Bakeless, Katherine Little. “Charles Ives, 1874-1954.” In Story-lives of American composers. Philadelphia, PA: Lippincott, 1958.
Notes:

V. General Music Studies

Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Bardi, Aloma

Year: 1999
Complete Citation:
Bardi, Aloma. “Le Biographie di Charles Ives.” Avidi Lumi (Feb-ruary 1999): 49-54.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Barlow, Jon

Year: 1968
Complete Citation:
Barlow, Jon. “The Music of Charles Ives.” Musical Opinion 91/1089 (June 1968): 487, 489.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Baron, Carol Kitzes

Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works