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Bibliography

Berger, Arthur

Year: 1954
Complete Citation:
Berger, Arthur. “Spotlight 011 the Moderns: Ives in Retrospective.” Saturday Review 37, no.31 (July 30, 1954): 62-64.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Berger, Arthur V.

Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1954
Complete Citation:
Berger, Arthur V. “Ives in Retrospect.” Saturday Review, July 31, 1954, 62.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Bernlef, J.

Year: 1969
Complete Citation:
Bernlef, J. “Charles Ives: Ein Korte Biografi.” In Charles Ives. Amsterdam, Netherlands: De Bezige Bij, 1969.
Notes:

Dutch translations by J. Bernlef.

Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J and Reinbert de Leeuw. Charles Ives. Amsterdam, Netherlands: De Bezige Bij, 1969.
Notes:

Includes comments on Ives by Igor Stravinsky (123--126); Dutch translation of the infamous Schoenberg misquota-tion (127); additional comments about John Cage (128-130).

Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Blitzstein, Marc

Year: 1936
Complete Citation:
Blitzstein, Marc. “Ives.” La Revue Musicale, Paris (February 1936).
Notes:

Available at Yale University Music Library Archival Collection, Box 55, folder 3, page 79.

Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Boatwright, Howard

Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Bourgeois, Jacques

Year: 1967
Complete Citation:
Bourgeois, Jacques. “Charles Ives: Musicien perdu et retrouve.” Infor-mation & Documents 240 (March 15, 1967): 28--31.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Bowmar, Edith M. and Jean Keuterickx

Year: 1966
Complete Citation:
Bowmar, Edith M. and Jean Keuterickx. “Charles Ives.” In Meet the composers: portraits of composers. Set 2, Modern. North Hollywood, CA: Bowmar Records, 1966.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Bredeson, Carmen and Ralph Thibodeau

Year: 2002
Complete Citation:
Bredeson, Carmen and Ralph Thibodeau. “Charles Ives.” In Ten great American Composers. Berkeley Heights, NJ: Enslow, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Brown, Geoff

Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives.” The Times, October 12, 1999, 49.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bruzaud, Radosveta

Year: 2002
Complete Citation:
Bruzaud, Radosveta. “Esquisse de la Personnalité Musicale de Charles Ives.” L’éducation Musicale (2002).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Notes:

Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”

Source: Magazine, Book
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.
Source: Journal
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works