Gail, Dorothea
Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
Gammond, Peter
Year: 1994
Complete Citation:
Gammond, Peter. “Ives, Charles Edward.” In Classical Composers. New York, NY: Crescent Books, 1994.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Gann, Kyle
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Gardner, Kara Anne
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works
Geiger, Loren
Year: 1969
Complete Citation:
Geiger, Loren. “More on Ives.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Ghandar, Ann
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.Notes: Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Giebisch, Thomas
Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Gilday, Edward F.
Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.Notes: A description of the song The Greatest Man to accompany the article. Included a recording.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Gill, Brendan
Year: 1996
Complete Citation:
Gill, Brendan. Late Bloomers: 75 Remarkable People Who Found Fame Success & Joy in the Second Half of Their Lives, 126. New York, NY: Artisan: 1996.Notes: Photograph by Frank Gerratana of Ives on 127.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Gillespie, John
Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.Notes: One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”
Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1972
Complete Citation:
Gillespie, John. “Charles Ives.” In The musical experience. Belmont, CA: Wadsworth Publishing Company, 1972.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Gilman, Lawrence
Year: 1946
Complete Citation:
Gilman, Lawrence. “The Music of Charles Ives.” Listen, November 1946.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Gleason, Harold, and Warren Becker
Year: 1980
Complete Citation:
Gleason, Harold, and Warren Becker. “Charles Ives.” In 20th-Century American Composers, 105-128. Vol. 4. Music Literature Outlines. 2nd ed. Bloomington, IN: Frangipani Press, 1980.Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Gollin, Rita K.
Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Goodman, John
Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Goss, Madeleine
Year: 1952
Complete Citation:
Goss, Madeleine. “Charles Ives.” In Modern music-makers: contemporary American composers. New York, NY: Dutton, 1952.Source: Chapter in Book<br>
V. General Music Studies
A. Short Biographies and Profiles
Goudie, Andrea
Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Gutmann, Peter
Year: 2001
Complete Citation:
Gutmann, Peter. “Classical Notes: America’s Greatest Composer: Charles Ives.” Goldmine 26 (April 7, 2001): 48.Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
