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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
A. Orchestral and Band Works
B. Chamber Works
D. Choral Works
E. Songs
V. General Music Studies
B. Special Issue Journals
C. Other
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hall, David

Year: 1964
Complete Citation:
Hall, David. “Charles Ives: An American Original.” Hi-fi/Stereo Review, Vol. 14 (September, 1964).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Hanuszewska, Mieczyslawa

Year: 1962
Complete Citation:
Hanuszewska, Mieczyslawa. “Geniusz na pustyni: Charles Ives.” Ruch Muzyczny 6/2 (1962): 7-9.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Harrison, Lou

Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.
Source: Score
Reprints:

Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.

IV. Individual Studies by Genre
C. Keyboard Works

Hartman, James B.

Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Haskell, Harry

Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Häusler, Josef

Year: 1969
Complete Citation:
Häusler, Josef. “Charles Ives.” In Musik im 20. Jahrhundert: von Schönberg zu Penderecki. Bremen, Germany: Schünemann Verlag, 1969.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Hayes, Malcolm

Year: 2012
Complete Citation:
Hayes, Malcolm. “Composer of the Month: Charles Ives - The Part-Time Pioneer.” BBC Music Magazine, Vol. 20, No. 11 (2012): 56-57, 59-60.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Helm, Everett

Year: 1954
Complete Citation:
Helm, Everett. “Charles Ives, American Composer.” The Musical Times, Vol. 95/1337 (1954): 356-361.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Helms, Hans G.

Year: 1964
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives: Leben, Werk, und Ein- fluss auf die heutige Generation.” Neue Zeitschrift für Musik (October 1964) 125/10: 425-433.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 246-248. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1974
Complete Citation:
Helms, Hans G. 1974. “Some Reflections on Charles E. Ives.” In Charles Ives Centennial Festival Conference, edited by H. Wiley Hitchcock, 56--59. New York, NY: G. Schirmer, Inc., and Associated Music Publishers, 1974.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1977
Complete Citation:
Helms, Hans G., “Some Reflections on Charles E. Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 246-248. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Henck, Herbert

Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Herrmann, Bernard

Year: 1932
Complete Citation:
Herrmann, Bernard. “Charles Ives.” Trend: Quarterly of the Seven Arts 1/3 (September- November 1932): 99-101.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles