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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Alexander, Michael John

Year: 1986
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.
IV. Individual Studies by Genre
C. Keyboard Works

Anderson, Jack

Year: 1989
Complete Citation:
Anderson, Jack. “Small--Town America.” The New York Times, February 14, 1989, sec. C, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Arlton, Dean Luther

Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.
IV. Individual Studies by Genre
C. Keyboard Works

Babcock, Michael J.

Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Babko, Jeff

Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Baily, Dee

Year: 1978
Complete Citation:
Baily, Dee. “A Report on the American Musicological Society/Music Library Association Translations Center.” Notes 35/1 (1978): 57-60.
Source: Journal
V. General Music Studies
C. Other

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Baron, Carol Kitzes

Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works

Bärtschi, Werner

Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bäßler, Hans

Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bässler, Hans

Year: 2010
Complete Citation:
Bässler, Hans. “Thema: Kein Geld - keine Musik. Einfach nur schnell: Musizierstück “Rapido.” Workshop Pop: “Komm, wir malen uns das Leben.” SMS short music stories: “Die GEMA” und "Charles Ives.”” Mainz, Germany: Schott, 2010.
Source: Book
V. General Music Studies
C. Other

Berger, Arthur V.

Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Boatwright, Howard

Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Brandstätterer, Ursula

Year: 1998
Complete Citation:
Ursula, Brandstätterer. “Sprechen über Musik… in Bildern.” Musik in der Schule 3 (May--June 1998): 114--118.
Notes:

Regarding The Unanswered Question.

Source: Journal
V. General Music Studies
C. Other

Broyles, Michael

Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.
Source: Chapter in Book
V. General Music Studies
C. Other

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works