Image
Complete Citation:
Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.
Bibliography
Genres
Cohn, Arthur
Year: 1962
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Cole, Michael S.
Year: 1997
Complete Citation:
Cole, Michael S. “Concord Revisited: Charles Ives and the American Transcendentalists [Abstract].” Canadian Journal for Traditional Music, Vol. 25 (1997): 29.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Conen, Hermann
Year: 1981-1982
Complete Citation:
Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Conn, Peter
Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Conn, Peter J.
Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Copland, Aaron
Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1932
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X, 1 (November-December 1932): 91.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Copland, Aaron. “The Composer in America, 1923-1933.” Modern Music X. 2 (January-February 1933): 87-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, New York, 149-161. New York, NY: Whittlesey House, 1941.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Copland, Aaron. Música y músicos contemporáneos. Buenos Aires, Argentina: Losada, 1945.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Copland, Aaron. Charles Eliot Norton Lectures at Harvard University, 1951-1952.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952, 99, 111-114. Cambridge, MA: Harvard University Press, 1952.Source: Book
Reprints:
Copland, Aaron. <i>Music and Imagination: The Charles Eliot Norton Lectures at Harvard University, 1951-1952</i>.<i> </i>New York, NY: New American Library Mentor Book, 1959. * Copland, Aaron. <i>Music and Imagination </i>[Musica e Imaginación]. Buenos Aires, Argentina: Emecé Editores, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1955
Complete Citation:
Copland, Aaron. “Modern Music: Fresh and Different.” New York Times Magazine (March 13, 1955): 15, 60, 62.Source: Magazine
Reprints:
Copland, Aaron. “‘Are My Ears on Wrong?’ A Polemic.” In <i>Copland on Music</i>, 253-260. New York, NY: Doubleday, 1960. New York: W. W. Norton, 1963.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1958
Complete Citation:
Copland, Aaron. “The Twentieth Century: Reorientation and Experi-ment.” Music and Western Man, edited by Peter Garvie, 285-286. London, United Kingdom: J.M. Dent, 1958.Notes:
A brief overview of Ives, with brief discography.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1960
Complete Citation:
Copland, Aaron. “A Businessman Who Wrote Music on Sundays.” Music and Musicians 9/18 (November 1960).Source: Journal
VI. Topical Studies
D. Insurance
D. Insurance
Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968. Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Copland, Aaron and Vivian Perlis
Year: 1984
Complete Citation:
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Copland, Aaron and Vivian Perlis. Copland Since 1943. New York, NY: St. Martin's Press, 1989.Notes:
Several Citations for Ives.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cordes, Joan Kunselman
Year: 1976
Complete Citation:
Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.Source: Ph.D Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers