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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cowell, Henry

Year: 1933
Complete Citation:
Cowell, Henry. “Who is the Greatest Living Composer?” Northwest Musical Herald. January 1933: 55.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Cowell, Henry. “Toward Neo-Primitivism.” Modern Music X, 3 (March-April 1933): 150-153.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1933
Complete Citation:
Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1934
Complete Citation:
Cowell, Henry. “Recent Creative Tendencies in American Music.” Sovietskaya Muzyka [Soviet Music] VII (June 1934): 3-19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1934
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1934): 393.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Cowell, Henry. “On Programming American Music.” Music Clubs Magazine 31/5 (May 1952): 23.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1963
Complete Citation:
Cowell, Henry. “Homage to Charles Ives.” In Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, No. 13 (1963): 263.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Cowell, Henry. Essential Cowell: selected writings on music. Edited by Dick Higgins. Kingston, NY: Documentext, 2001.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cowell, Henry.

Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cowell, Henry Dixon

Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.
Notes:

The second essay gives attention to Ives, Ruggles, Crawford, and others.

Source: Journal
VI. Topical Studies
L. Ives and America

Cowell, Sidney

Year: 1990
Complete Citation:
Cowell, Sidney. “The Cowells and the Written Word.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard Crawford, R. Allen Lott, and Carol J. Oja 79-91. Ann Arbor: University of Michigan Press, 1990.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cox, David

Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.
Notes:

A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.

Source: Journal
VI. Topical Studies
L. Ives and America

Crawford, Richard

Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.
Source: Book
VI. Topical Studies
L. Ives and America

Crunden, Robert Morse

Year: 1982
Complete Citation:
Crunden, Robert Morse. Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920. New York, NY: Basic Books, 1982.
Source: Book
Reprints:

Crunden, Robert Morse. <i>Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920</i>. Urbana, Illinois: University of Illi-nois Press, 1984.

VI. Topical Studies
A. Transcendentalism or Philosophy