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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Domin, Wolfgang

Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donohue, John and Michael Petersen

Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Dorrill, Martha

Year: 1991
Complete Citation:
Martha Dorrill. "The Alcotts.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Downes, Olin

Year: 1925
Complete Citation:
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.
Notes:

<i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1927
Complete Citation:
Downes, Olin. “Music: Pro-Musica Society.” The New York Times. January 30, 1927, 28.
Source: Newspaper
Reprints:

Downes, Olin. “Music: Pro-Musica Society.” In <i>Charles Ives and His World</i>, 293-295. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Downes, Olin. “A Nation’s Musical Frontiers.” The New York Times, June 3, 1934, sec. 9, 5.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.
Source: Newspaper
Reprints:

In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1954
Complete Citation:
Downes, Olin. “Charles Ives.” American Composers Alliance Bulletin 4/1 (1954): 17, 26.
Notes:

An obituary.

Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1970
Complete Citation:
Drew, James. “Modern Music and the Debt to Charles Ives. Parts I and II.” Yale Reports. December 27, 1970 and January 3, 1971.
Source: University Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duckworth, William

Year: 1972
Complete Citation:
Duckworth, William. “Musical Pedagogy and the Fear of Crippling Individualism.” American Music Teacher, vol. 21, no. 3 (1972): 26-27.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Dujmić, Dunja

Year: 1971
Complete Citation:
Dujmic, Dunja. “The Musical Transcendentalism of Charles Ives.” International Review of the Aesthetics and Sociology of Music Vol. 2, No. 1 (June, 1971).
Source: Journal
VI. Topical Studies

Dujmic, Dunja

Year: 1971
Complete Citation:
Dujmic, Dunja. “The Music Transcendentalism of Charles Ives.” International Review of the Aesthetics and Sociology of Music 2, 1 (1971): 89-95.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Dumm, Robert

Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works