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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Dumm, Robert W.

Year: 1961
Complete Citation:
Dumm, Robert W. “Wallingford Riegger: ‘It Won’t Last’.” The Christian Science Monitor, 1961, 10.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

DuPree, Mary Herron

Year: 1983
Complete Citation:
DuPree, Mary Herron. “The Failure of American Music: The Critical View from the 1920s.” Journal of Musicology 2 (Summer 1983): 305--315.
VI. Topical Studies
L. Ives and America

Duron, Jean

Year: 2008
Complete Citation:
Duron, Jean. “Wiley H. Hitchcock (1923-2007).” Revue De Musicologie 94/2 (2008): 637-638.
Source: Journal
VI. Topical Studies
Q. Ives Scholars

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Echols, Paul C.

Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.
Reprints:

Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.

IV. Individual Studies by Genre
C. Keyboard Works

Edwards, Allen

Year: 1971
Complete Citation:
Edwards, Allen. Flawed Words and Stubborn Sounds: A Conversation with Elliot Carter. New York, NY: W.W. Norton & Company, Inc., 1971.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Edwards, Arthur C. and W. Thomas Marrocco

Year: 1968
Complete Citation:
Edwards, Arthur C. and W. Thomas Marrocco. Music in the United States, 123--124, 157. Dubuque, IA: Wm. C. Brown Publishers, 1968.
Source: Book
VI. Topical Studies
L. Ives and America

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Eger, Joseph

Year: 1968
Complete Citation:
Eger, Joseph. “Ives and Beatles!” Music Journal 26/9 (September 1968): 46, 70-71.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Eger, Joseph. “Ives and the Beatles.” Music Journal (September 1968).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Eichler, Jeremy

Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times. Janu-ary 28, 2004.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 2012
Complete Citation:
Eichler, Jeremy. “Losing the Home of America’s Great Composer: Third Ear.” The Boston Globe, September 30, 2012.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
Eichler, Jeremy. “Charles Ives's Last Journey.” The Boston Globe, September 29, 2012.
Source: Newspaper
VI. Topical Studies

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Eidenbenz, Michael; Muggler, Fritz

Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Eidland, Dan and Bodil Eidland-Cederbom

Year: 2005
Complete Citation:
Eidland, Dan and Bodil Eidland-Cederbom. Marja, Walt Whitman, Charles Ives, Theodore Roosevelt and I. Alingsås, Sweden: Mitthans, 2005.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Eiseman, David

Year: 1975
Complete Citation:
Eiseman, David. “George Ives as Theorist: Some Unpublished Documents.” Perspectives of New Music 14, No. 1 (Fall-Winter 1975): 139-47.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Elkus, Jonathan

Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Elliot, Martha

Year: 2006
Complete Citation:
Elliot, Martha. “Early Twentieth-Century Nationalism.” In Singing in Style: A Guide to Vocal Performance Practices, 251-285. New Haven, CT: Yale University Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship