Rathert, Wolfgang
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.Source: Book
VI. Topical Studies
L. Ives and America
Year: 1995
Complete Citation:
Rathert, Wolfgang. Der Amerikanische Transzendentalismus. In Musik und Religion, edited by Helga de la Motte-Haber, 189-214. Lilienthal, Germany. Laaber-Verlag, 1995.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Reale Und Imaginäre Landschaften: Charles Ives' Musikalische Exkursionen Und Ihre Folgen.” Neue Zeitschrift Für Musik, vol. 165, no. 2 (2004): 42-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rebner, Wolfgang Edward
Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Rectanus, Hans
Year: 1985
Complete Citation:
Rectanus, Hans. “Wechsel der Unterrichtsformen unter Einbeziehung verschiedener Medien als didaktische Notwendigkeit im Musikunterricht,” 101-111. In Medieninvasion: die Kulturpolitische Verantwortung der Musikerziehung. Mainz, Germany: Schott, 1985.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Reed, Joseph W.
Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reis, Claire Raphel
Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reich, Howard
Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.Notes: In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reinhard, Johnny
Year: 2005
Source: Online article
VI. Topical Studies
R. Performance Approaches
Year: 2005
Notes: Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.
Source: Online article
VI. Topical Studies
G. Music Theory Analyses
Retallack, Joan, ed.
Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes: Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints: Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
