Image
Complete Citation:
Ronda, Bruce A. “Charles Ives: Sound.” In The Fate of Transcendentalism: Secularity, Materiality, and Human Flourishing. Athens, GA: The University of Georgia Press, 2017.
Bibliography
Genres
Ronda, Bruce A.
Year: 2017
Source: Chapter in Book
VI. Topical Studies
Roos, James
Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Root, Deane L.
Year: 1972
Complete Citation:
Root, Deane L. “The Pan American Association of Composers (1928-1934)." Anuario interamericano de investigation musical/Yearbook for Inter-American Musical Research/Anuario interamerican de pesquisa musical 8 (1972): 49-70.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosa, Alfred F.
Year: 1971
Complete Citation:
Rosa, Alfred F. “Charles Ives: Music, Transcendentalism, and Politics.” New England Quarterly 44 (1971): 433-443.Source: Journal
VI. Topical Studies
Rosen, Charles
Year: 2012
Complete Citation:
Rosen, Charles. “Happy Birthday, Elliott Carter!” In Freedom and the Arts: Essays on Music and Literature, 178-186. Cambridge, Massachusetts: Harvard University Press, 2012.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Rosenberg, Bernard and Rosenberg, Deena
Year: 1979
Complete Citation:
Rosenberg, Deena and Bernard Rosenberg. The Music Makers, 9-11, 80, 91, 190, 198, 329, 407. New York, NY: Columbia University Press, 1979.Notes:
Cites a spurious song by Ives, with flute obbligato, en-titled "Christopher Mockingbird.”
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosenfeld, Paul
Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.Source: Journal
Reprints:
Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1940
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.Notes:
“Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
M. Ives and Manhattan
Year: 1948
Complete Citation:
Rosenfeld, Paul. “Spokesman for an American Tradition.” Paul Rosenfeld, Voyager in the Arts, edited by Jerome Melquist and Lucie Weise, 165-166. New York, NY: Creative Age Press.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Ross, Alex
Year: 1994
Complete Citation:
Ross, Alex. “The Eccentrics Who Declared Independence for America.” The New York Times, May 22, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Ross, Alex. “Vindicating Ives on Dates and Music.” The New York Times, August 20, 1996, sec. C: 13.Source: Newspaper
VI. Topical Studies
C. Chronology
C. Chronology
Year: 2001
Complete Citation:
Ross, Alex. “The Harmonist.” The New Yorker 76/41 (January 8): 40-46.Notes:
An article about John Adams. Compares the New England backgrounds of Adams and Ives.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers