Kramer, Lawrence
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kramer, Leighton
Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Krehm, Ida
Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
La Motte-Haber, Helga de
Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambert, J. Philip
Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambourn, David
Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Larson, Thomas
Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lash, Dominic
Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lea, Henry
Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lederman, Minna
Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Liebenau, Horst
Year: 1993
Complete Citation:
Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lipkis, Laurence Alan
Year: 1984
Complete Citation:
Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
List, Kurt
Year: 1944
Complete Citation:
List, Kurt. “Ode to Napoleon (Schoenberg).” Modern Music 21/3 (March--April 1944): 144.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Love, Andrew
Year: 2006
Complete Citation:
Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lyle, Wilson
Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes: p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Lyons, Len
Year: 1983
Complete Citation:
Lyons, Len. The Great Jazz Pianists: Speaking of Their Lives and Music, 298. New York, NY: William Morrow, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mack, Dieter
Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Maisel, Edward M.
Year: 1943
Complete Citation:
Maisel, Edward M. Charles T. Griffes. New York, New York: Alfred A. Knopf Co., 1943.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mandel, Alan
Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works