Image
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.
Bibliography
Genres
Roggenkamp, P.
Year: 1986
Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Root, Deane L.
Year: 1972
Complete Citation:
Root, Deane L. “The Pan American Association of Composers (1928-1934)." Anuario interamericano de investigation musical/Yearbook for Inter-American Musical Research/Anuario interamerican de pesquisa musical 8 (1972): 49-70.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rorem, Ned
Year: 1968
Complete Citation:
Rorem, Ned. Music and People, 14, 137, 141, 144. New York, NY: George Brazillerj, 1968.Notes:
([Ives’s]” Epilogue from Essays Before a Sonata {All} is a model of spirited English, depicting the creative process once and for all."), 161, 173 (compares Ezra Pound to "utterances' of Ives), 21.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rosen, Charles
Year: 2012
Complete Citation:
Rosen, Charles. “Happy Birthday, Elliott Carter!” In Freedom and the Arts: Essays on Music and Literature, 178-186. Cambridge, Massachusetts: Harvard University Press, 2012.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosenberg, Bernard and Rosenberg, Deena
Year: 1979
Complete Citation:
Rosenberg, Deena and Bernard Rosenberg. The Music Makers, 9-11, 80, 91, 190, 198, 329, 407. New York, NY: Columbia University Press, 1979.Notes:
Cites a spurious song by Ives, with flute obbligato, en-titled "Christopher Mockingbird.”
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosenfeld, Paul
Year: 1939
Complete Citation:
Rosenfeld, Paul. “Ives’ Concord Sonata.” Modern Music, Vol. 16, No. 2 (January-February 1939): 109-112.Source: Journal
Reprints:
Rosenfeld, Paul. “Ives’ Concord Sonata.” In <i>Charles Ives and his World, </i>edited by J. Peter Burkholder, 314-316. Princeton, NJ: Princeton University Press, 1996.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ross, Alex
Year: 1994
Complete Citation:
Ross, Alex. “The Eccentrics Who Declared Independence for America.” The New York Times, May 22, 1994.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Ross, Alex. “The Harmonist.” The New Yorker 76/41 (January 8): 40-46.Notes:
An article about John Adams. Compares the New England backgrounds of Adams and Ives.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rostkowski, David
Year: 1987
Complete Citation:
Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.Source: Chapter in Book, Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Round, Michael
Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Roy, Klaus George
Year: 1952
Complete Citation:
Roy, Klaus George. “Copland Harvard Talk.” The Christian Science Monitor, March 20, 1952, 4.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rublowsky, John
Year: 1967
Complete Citation:
Rublowsky, John. “Gershwin and Ives: The Triumph of the Popular Spirit.” In Music in America, 9, 155--166, 173. New York, NY: Crowell- Collier, 1967.Notes:
A book for teenagers
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rummenhöller, Peter
Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Sachs, Joel
Year: 2012
Complete Citation:
Sachs, Joel. “Henry and His Circle.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Sachs, Joel. “Collaborations and an Ives Biography.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sadownik, Tomasz Paweł
Year: 2016
Complete Citation:
Sadownik, Tomasz Paweł. W poszukiwaniu amerykańskiego idiomu muzyki narodowej : analiza “Old American Songs” Aarona Coplanda oraz wybranych pieśni Charlesa Ivesa. Katowice, Poland: Akademia Muzyczna im. Karola Szymanowskiego, 2016.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Salzman, Eric
Year: 1963
Complete Citation:
Salzman, Eric. “Retrospective of Avant-garde Music.” New York Herald Tribune. December 21, 1963, 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Salzman, Eric. “Carl Ruggles.” HiFi/Stereo Review (September 1966) 17/3: 53--63.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sanborn, Pitts
Year: 1927
Complete Citation:
Sanborn, Pitts. “Pro-Musica or Anti?” New York Telegram, January 31, 1927: 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Scheuer, Philip K.
Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers