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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gollin, Rita K.

Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goodman, John

Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Harrison, Lou

Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.
Source: Score
Reprints:

Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.

IV. Individual Studies by Genre
C. Keyboard Works

Hartman, James B.

Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Haskell, Harry

Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hertz, David Michael

Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hinson, Maurice

Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.
Notes:

Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Hinson, Maurice and Wesley Roberts

Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
C. Keyboard Works