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Bibliography

Genres

Abraham, Gerald

Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Alexander, J. Heywood

Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.
VII. Entries in Larger Volumes
A. Textbook Accounts

Alwes, Chester L.

Year: 1985
Complete Citation:
Alwes, Chester L. “Formal Structure as a Guide to Rehearsal Strategy in Psalm 90 by Charles E. Ives.” Choral Journal 25/8 (April 1985): 21-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Austin, William F.

Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Austin, William W.

Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Avery T. Sharp and James Michael Floyd

Complete Citation:
Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works

Balshaw, Paul A.

Year: 1975
Complete Citation:
Balshaw, Paul A. “Charles Ives: The Man and His Music: The Celestial Country: An Introduction.” The Choral Journal, vol. 15, no. 7 (1975): 16-20.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Beal, A. C.

Year: 2013
Complete Citation:
Beal, A.C. “Why We Sing”: David Mahler’s Communities.” Journal of the Society for American Music, Vol. 7, No. 1 (2013): 1-28.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Bemlef, J.

Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bernstein, Martin and Martin Picker

Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.
Notes:

Section on Charles Ives

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Brandt, Maarten

Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Burkholder, J. Peter

Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cameron, Catherine M.

Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.
Notes:

In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cazé, Antoine and Adam Marks

Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.
Source: Chapter in Book
Reprints:

Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.

VII. Entries in Larger Volumes
A. Textbook Accounts

Christiansen, Larry A.

Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.
Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Citkowitz, Israel

Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).
Source: Journal
Reprints:

Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles