Sherman, Robert
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sherwood, Gayle
Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Sherwood, Gayle D.
Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Shirley, Wayne
Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Shloezer, Boris de
Year: 1932
Complete Citation:
Shloezer, Boris de. “Muz’ikal’n’iia zametki.” Translated by Doit Ojamaa. Posledniia novosti or Les Dernières Nouvelles (Paris). March 11, 1932, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
Shore, Jay
Year: 1971
Complete Citation:
Shore, Jay. “Record: Calcium Light Night.” The Rolling Stone 84 (June 10, 1971): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Eric
Year: 1968
Complete Citation:
Simon, Eric. “Der späte Ruhm des seltsamen Charles Ives” [The Be-lated Fame to the Singular Charles Ives]. HiFi--Stereophonie (January 1968) 7/1: 58-59.Notes: The uniqueness of the composer’s style is emphasized; Ives is compared to Silvestre Revueltas and Leos Janacek.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Jeff
Year: 2016
Complete Citation:
Simon, Jeff. “Listening Post: New Jazz Trio to Hallwalls, All-Ives Disc from Seattle.” TCA Regional News, January 28, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Simon, Robert A.
Year: 1927
Complete Citation:
Robert A. Simon. “Musical Events.” New Yorker (February 12, 1927): 60-61.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. “American Music—Swing Drops in— Recitalists.” New Yorker, January 28, 1939, 44-45.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. "Musical Events.” The New Yorker, January 28, 1939, 44.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Review of the week’s music.” Robert A. Simon's Review of the Week’s Music. The New Yorker, March 7, 1942, 47Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Musical Events: Plenty Going On.” The New Yorker, 1942.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Simon, Robert A. “Late-Season Harvest.” The New Yorker 22, no. 14 (May 18, 1946): 97-98.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances