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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sherman, Robert

Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherwood, Gayle

Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Sherwood, Gayle D.

Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Siegmeister, Elie

Year: 1938
Complete Citation:
Siegmeister, Elie. Music and Society Critics Group Pamphlet No. 10. New York, NY: Critic Groups Press, 1938.
Source: Pamphlet
A. Reviews and Announcements of Premieres and Significant Performances

Simon, Robert A.

Year: 1927
Complete Citation:
Robert A. Simon. “Musical Events.” New Yorker (February 12, 1927): 60-61.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. “American Music—Swing Drops in— Recitalists.” New Yorker, January 28, 1939, 44-45.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Simon, Robert A. "Musical Events.” The New Yorker, January 28, 1939, 44.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Review of the week’s music.” Robert A. Simon's Review of the Week’s Music. The New Yorker, March 7, 1942, 47
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1942
Complete Citation:
Simon, Robert A. “Musical Events: Plenty Going On.” The New Yorker, 1942.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Simon, Robert A. “Late-Season Harvest.” The New Yorker 22, no. 14 (May 18, 1946): 97-98.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Siskind, Jacob

Year: 1986
Complete Citation:
Siskind, Jacob. “Pair Braves Brambles Around Charles Ives: FINAL Edition.” The Ottawa Citizen, November 15, 1986.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Sly, Allan

Year: 1979
Complete Citation:
Sly, Allan. “Guitarist Leisner Opens New Charles River Concerts.” The Jewish Advocate, November 22, 1979, 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Slominsky, Nicholas

Year: 1948
Complete Citation:
Slominsky, Nicholas. “Bringing Ives Alive.” Saturday Review of Literature XXXI, XXXV, August 23, 1948, 45, 49.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Slominsky, Nicolas

Year: 1934
Complete Citation:
Slominsky, Nicolas. “Composer Who Has Clung to His Own Way.” Boston Evening Transcript. February 3, 1934, sec. 3, 4-5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Slonimsky, Nicholas

Year: 1975
Complete Citation:
Slonimsky, Nicholas. “Charles Ives As I Remember Him.” The Choral Journal 15, no. 5 (1975): 15-16.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works