Image
Complete Citation:
Dunning, Jennifer. “Venturing out to the Limits of Partnering.” The New York Times, 13 June 1998, sec. B: 7.
Bibliography
Genres
Dunning, Jennifer
Year: 1998
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of American, Garnished with Russian.” The New York Times, February 4, 2000, sec. E, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 2001
Complete Citation:
Dunning, Jennifer. “Care to Try the Special? It’s Beefcake.” The New York Times, March 29, 2001, sec. E, 9.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Engen, D. P.
Year: 1976
Complete Citation:
Engen, D. P. “The Choral Psalms of Charles Ives: A Performer's Analysis of Psalm 90.” Church Music (St. Louis) 1 (1976): 20-27.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Evans, Margaret R.
Year: 1982
Complete Citation:
Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.Notes:
Discusses Psalm 90.
Source: Book
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Feld, Eliot, choreographer
Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged. Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Field, Eliot, choreographer
Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Fisher, Barbara Milberg
Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Gilbert, Nina
Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Grantham, Donald
Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Hall, David
Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Harris, Roger
Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Henry, Derrick
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano. Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta, Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Kirkpatrick, John
Year: 1983
Complete Citation:
Kirkpatrick, John. 1983. “Commentary.” In Charles Ives, I Come to Thee: SATB with Organ, edited by John Kirkpatrick. New York, NY: Associated Music Publishers.Source: Commentary to score
D. Choral Works
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance