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Bibliography

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taylor, Paul, choreographer

Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Teachout, Terry

Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.
Notes:

Interview with Paul Taylor.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Terry, Walter

Year: 1954
Complete Citation:
Terry, Walter. “New York City Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Tipton, Julius R.

Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations of the Choral Style of Charles Ives.” American Choral Review 12/3 (July 1970): 99-105.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations on the Choral Style of Charles Ives.” American Choral Review, Vol. 12, No. 3 (1970): 99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Trischler, Joyce, choreographer

Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.
Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Trott, Donald

Year: 1991
Complete Citation:
Trott, Donald. “The Choral Music of Charles Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
D. Choral Works

Vinquist, Mary Ann

Year: 1965
Complete Citation:
Vinquist, Mary Ann. “The Psalm-Settings of Charles Ives.” M.A. thesis, Indiana University, 1965.
Source: M.A. Thesis
IV. Individual Studies by Genre
D. Choral Works

Woodward, Angela

Year: 2016
Complete Citation:
Woodward, Angela. Liner notes to Charles Ives "Psalm 90.In Origins and other stories. Ann Arbor, MI: Dzanc Books, 2016.
Source: Book
IV. Individual Studies by Genre
D. Choral Works

Yellin, Victor F.

Year: 1974
Complete Citation:
Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

no author listed

Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.
Source: Newspaper
Reprints:

“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.
Source: Journal
Reprints:

“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
“Correction: Charles Ives 1874-1954.” The Choral Journal, vol. 15, no. 4 (1974): 12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1979
Complete Citation:
October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.
Source: Telecast
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).
Notes:

Labanotated

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.

Prf: 1989 May 19-14: New York; Joyce Theater.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1996
Complete Citation:
“Research Report.” The Choral Journal 37, no. 3 (October 1996): 49.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works