Image
Complete Citation:
Sanborn, Pitts. “Pro-Musica or Anti?” New York Telegram, January 31, 1927: 7.
Bibliography
Genres
Sanborn, Pitts
Year: 1927
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sanders, Donald
Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Sandifer, Edward
Year: 2015
Complete Citation:
Sandifer, C. Edward. “Life and Death - Part 1: (July 2008).” In How Euler Did Even More, 1st ed, 67-73. Washington, DC: Mathematical Association of America, 2015.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Schafer, R. Murray
Year: 1967
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” Ear Clearing: Notes for an Experimental Music Course, 31-36. Don Mills, Ontario: BMI Canada Limited, 1967.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Year: 1976
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In Creative music education: a handbook for the modern music teacher. New York, NY: Schirmer Books, 1976.Source: Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Year: 1988
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In The Thinking Ear: Complete Writings on Music Education. Indian River, Ontario, Canada: Arcana Editions, 1988.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Schafer, William J.
Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Scharnhorst, Gary
Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Scheuer, Philip K.
Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schiff, David
Year: 1983
Complete Citation:
Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2018
Complete Citation:
Schiff, David. Carter. New York, New York: Oxford University Press, 2018.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schlocker, Georges
Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Schmidt, Christian Martin
Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Schneider, Frank
Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.Notes:
Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schoenberg, Arnold
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Notes:
A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sidney Cowell, Charles Ives and His Music as a footnote with lines 67 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A reproduction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]
Source: Letter
Reprints:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.Notes:
A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]
Source: Letter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.Source: Letter
Reprints:
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers