Ellison, Mary
Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Engen, D. P.
Year: 1976
Complete Citation:
Engen, D. P. “The Choral Psalms of Charles Ives: A Performer's Analysis of Psalm 90.” Church Music (St. Louis) 1 (1976): 20-27.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Evans, Margaret R.
Year: 1982
Complete Citation:
Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.Notes: Discusses Psalm 90.
Source: Book
IV. Individual Studies by Genre
D. Choral Works
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Gibbons, William
Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Gilbert, Nina
Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Grantham, Donald
Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Hall, David
Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Harris, Roger
Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Hitchcock, H. Wiley
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Kirkpatrick, John
Year: 1983
Complete Citation:
Kirkpatrick, John. 1983. “Commentary.” In Charles Ives, I Come to Thee: SATB with Organ, edited by John Kirkpatrick. New York, NY: Associated Music Publishers.Source: Commentary to score
D. Choral Works
Koch, Gerhard R.
Year: 1975
Complete Citation:
Koch, Gerhard R. “‘Das himmlische Land’ von Ives.” Musica 29, no. 3 (1975): 230-233.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Kumlien, Wendell C.
Year: 1974
Complete Citation:
Kumlien, Wendell C. “The Music for Chorus.” Music Educators Journal 61/2 (1974): 48-52.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Lamb, Gordon H.
Year: 1974
Complete Citation:
Lamb, Gordon H. “Charles Ives 1874-1954.” Choral Journal 15/2 (October 1974): 12-13.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
