Schorske, Carl
Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwartz, Elliott
Year: 1975
Complete Citation:
Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, Boris
Year: 1975
Complete Citation:
Schwarz, Boris. “Schoenberg—und Ives—Tagunen in den USA.” Österreichische Musikzeitschrift 30 (January-February 1975): 67-68.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, K. Robert
Year: 1993
Complete Citation:
Schwarz, K. Robert. “Composers’ Closets Open for All to See.” The New York Times, June 19, 1993, sec. 2, 1.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Secrest, Meryle
Year: 1994
Complete Citation:
Secrest, Meryle. Leonard Bernstein: A Life, 249, 268. New York, NY: Alfred A. Knopf, 1994.Notes: Discusses Symphony No. 2 and The Unanswered Question in Russia.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Seeger, Charles
Year: 1939
Complete Citation:
Seeger, Charles. “Grass Roots for American Composers.” Modern Music 16 (March-April 1939): 143-149.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Seeger, Charles. “Charles Ives and Carl Ruggles.” Magazine of Art 32 (July 1939): 396-399, 435-437.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Seeger, Charles. “Henry Cowell.” Magazine of Art 33 (May 1940): 288-89, 322-25, 327.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Semler, Isabella Parker
Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serebrier, Jose
Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Serio, John N.
Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sherwood, Gayle
Year: 1994
Complete Citation:
Sherwood, Gayle. “Questions and Veracities: Reassessing the Chronology of Ives’s Choral Works.” Music Quarterly 78/3 (Fall 1994): 403-421.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1996
Complete Citation:
Sherwood, Gayle. “Ives and the Choral Tradition.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 48-49. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
D. Choral Works
Year: 1997
Complete Citation:
Sherwood, Gayle. “Redating Ives’s choral sources.” In Ives Studies, 77-101. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
D. Choral Works
Year: 1999
Complete Citation:
Sherwood, Gayle. “‘Buds the Infant Mind’: Charles Ives's The Celestial Country and American Protestant Choral Traditions.” 19th Century Music 23/2 (Fall 1999): 163-189.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Sherwood, Gayle D.
Year: 1994
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, and reception.” The Musical Quarterly 78 (Fall 1994): 429-447.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Shreffler, Anne
Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.Notes: See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shreffler, Anne Chatoney
Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Shultis, Christopher
Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
