Image
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Bibliography
Genres
Helms, Hans G.
Year: 1966
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Hepokoski, James
Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Herchet, Jorg
Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Hiekel, Jörn Peter
Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Hitchcock, H. Wiley, ed.
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Notes:
<a target="_blank" href="https://charlesives.org/sites/default/files/Ives_129_Songs.pdf">Critical commentary to accompany Music of the United States of America, Vol. 12 and Recent Researches in American Music, Vol. 46. Published for the American Musicological Society. Available at: https://charlesives.org/sites/default/files/Ives_129_Songs.pdf. </a>
Source: Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Hitchcok, H. Wiley
Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.
IV. Individual Studies by Genre
E. Songs
E. Songs
Holmes, Leslie M.
Year: 2010
Complete Citation:
Holmes, Leslie M. “A Conversation with William Sharp, Part 2.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 67, No. 1 (2010): 91-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 2011
Complete Citation:
Holmes, Leslie M. “A Conversation with Gerald Finley, Part 2.” Journal of Singing 67, No. 5 (May 2011): 617-623.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Houtchens, Alan and Janis P. Stout
Year: 1996
Complete Citation:
Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Year: 1997
Complete Citation:
Houtchens, Alan, and Janis P. Stout. “‘Scarce heard amidst the guns below’: Intertextuality and Meaning in Charles Ives’s War Songs.” Journal of Musicology 15/1 (Winter 1997): 66-97.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Hwang, Mi Kyung
Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.Source: Magazine
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Hyunmo, Kang
Year: 2007
Complete Citation:
Hyunmo, Kang. “아이브스의 노래: 커멘터리의 노래.” 서양음악학 10, no. 3 (2007): 11-44Notes:
Translates to “Song of Ives: Song of the Commentary”
Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Ingram, Paul
Year: 2005
Complete Citation:
Ingram, Paul. “A Song (and a Singer) for Anything: Gerald Finley, Charles Ives, and a Framework for Exploration.” Fanfare 29/1 (Sep-tember/October 2005): 20, 22, 24, 26.Notes:
Remarks concerning Finley's recording of Ives's songs [D620].
Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Ives, Charles E.
Year: 1935
Complete Citation:
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Text to ten songs with Dutch translations.” In Charles Ives, 115--119, 260--264. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
E. Songs