Image
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Bibliography
Genres
Danuser, Hermann
Year: 1997
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
De La Motte-Haber, Helga
Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Deri, Otto
Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
DiMaggio, Kenneth
Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Downes, Olin
Year: 1940
Complete Citation:
Downes, Olin. “American Music Sung by Thomas.” The New York Times. March 25, 1940, 10.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
E. Songs
Duke, John
Year: 1950
Complete Citation:
Duke, John. “American Song: 1900-1950.” Proceedings of the Music Teachers National Association 44 (1950): 31-34.IV. Individual Studies by Genre
E. Songs
E. Songs
Edwards, Maurice
Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.Notes:
Several citations and comments regarding performances of Ives’s music.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Elson, J.
Year: 1978
Complete Citation:
Elson, J. “The Songs of Charles Ives (1874-1954).” The NATS Bulletin 35.1 (1978): 9-11.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Ericson, Raymond
Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Espina, Noni
Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.Notes:
With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!
Source: Score
IV. Individual Studies by Genre
E. Songs
E. Songs
Euteneuer-Rohrer, Ursula Henrietta
Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Ewen, David
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Fairfield, Patrick
Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Fogel, Henry
Year: 2018
Complete Citation:
Fogel, Henry. “Brad Robinson Discusses the Songs of Charles Ives.” Fanfare 42 (2018): 90-92.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Forte, Allen
Year: 1998
Complete Citation:
Forte, Allen. “The Musical Language of Two Ives Songs.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Freed, R.
Year: 1976
Complete Citation:
Freed, R. “Songs of Charles Ives: A Listening Experience One is as Eager to Share as to Report.” Stereo Review 37 (September 1976): 86.Source: Magazine
IV. Individual Studies by Genre
E. Songs
E. Songs
Friedberg, Ruth C. and Robin Fisher
Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
E. Songs
Gann, Kyle
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Gilmore, Bob
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes:
Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles