Goleeke, Thomas
Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.Source: Book
IV. Individual Studies by Genre
E. Songs
Graddy, Julia H.
Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.Source: Journal
IV. Individual Studies by Genre
E. Songs
Green, Douglass M.
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Grill, Stanley
Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.Source: Book
IV. Individual Studies by Genre
E. Songs
Hall, James Husst
Year: 1953
Complete Citation:
Hall, James Husst. “The Later American School.” In The Art Song, 284-287. Norman, OK: University of Oklahoma Press, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hamm, Chelsey
Year: 2017
Complete Citation:
Hamm, Chelsey. “Charles Ives’s Songs for “Horn.”” The Horn Call 47, no. 3 (2017): 92.Source: Journal
IV. Individual Studies by Genre
E. Songs
Heister, Hanns-Werner, Werner Kremp, eds.
Year: 2004
Complete Citation:
Heister, Hanns-Werner, Werner Kremp, eds. Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hesselink, Paul and Frieda Myers
Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Heyman, Katherine
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints: Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hitchcock, H. Wiley, ed.
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
Hitchcok, H. Wiley
Year: 1998
Complete Citation:
Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: Hitchcock, H. Wiley. “Ives's 114 [+15] Songs and What He Thought of Them.”<i>Journal of the American Musicological Society</i> 52/1 (Spring 1999): 97-144.
IV. Individual Studies by Genre
E. Songs