Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Von Glahn [Cooney], Denise
Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.Notes: De-tailed discussion of two songs: The Indians and Charlie Rutlage.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes: Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
Watkins, Glenn
Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Weisberger, Bernard A.
Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Williams, Thomas
Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Wilshire, Bruce W.
Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
no author listed
Year: 1933
Complete Citation:
“Social Influences in Modern Music.” The Modern Monthly VII, 8 (September 1933): 472-479.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1933
Complete Citation:
“The Class Spirit in Modern Music.” The Modern Monthly VII, 10 (November 1933): 593-598.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1953
Complete Citation:
Ten Songs by Charles Ives. Musical Courier 148, no. 6 (November 15, 1953): 26.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1964
Complete Citation:
“Music Beyond Sound.” The Guardian, January 23, 1964, 8A.Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1969
Complete Citation:
“Charles Ives ‘Evening.’” Milton Newsletter, vol. 3, no. 2 (1969): 23.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.Source: Journal
IV. Individual Studies by Genre
E. Songs