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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Acton, Charles

Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Albrecht, Henning, Benjamin Scheuer and Christian Schmidt

Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Allenby, David

Year: 1991
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.
Notes:

Regarding The Unanswered Question and Central Park in the Dark.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Andraschke, Peter

Year: 2008
Complete Citation:
Andraschke, Peter. “Aufbruch in die Zukunft: Charles Ives und seine Lieder.” In Multikulturelle und internationale Konzepte in der Neuen Musik. Vienna, Austria: Böhlau Verlag, 2008.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Andriessen, Louis

Year: 1974
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

ap Sion, Pwyll

Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.
Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Archabal, Nina

Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Argento, Dominick

Year: 1975-1976
Complete Citation:
Argento, Dominick. “A Digest Analysis of Ives’ ‘On the Antipodes.’” Student Musicologists at Minnesota Vol. 6 (1975-1976): 192-200.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Austin, William

Year: 1971
Complete Citation:
Austin, William. “Ives and Histories.” In Bericht über den internationalen musikwissenschaftlichen Kongress Bonn 1970, edited by Carl Dahlhaus et al., 299-303. Kassel, Germany: Barenreiter, 1971.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Austin, William W.

Year: 1982
Complete Citation:
Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Baggiani, Guido

Year: 1974
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 228-230. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Ives in Ascolto, in Ascolto di Ives.” Musica 156 (May 2004): 46--50.
Notes:

[How Ives Listened, How to Listen to Ives].

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Barnick, Jens

Year: 2004
Complete Citation:
Barnick, Jens. “Charles Ives: Durch das Leben mit 114 Liedern.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 35-72. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Baron, Carol K.

Year: 1993
Complete Citation:
Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Battisti, Frank

Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy C.

Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.
Notes:

Translation by Amy C. Beal, p. 128-135.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship