Ewen, David
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.Notes: 1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints: Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
Fairfield, Patrick
Year: 2006
Complete Citation:
Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints: Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
Fogel, Henry
Year: 2018
Complete Citation:
Fogel, Henry. “Brad Robinson Discusses the Songs of Charles Ives.” Fanfare 42 (2018): 90-92.Source: Magazine
IV. Individual Studies by Genre
E. Songs
Forte, Allen
Year: 1998
Complete Citation:
Forte, Allen. “The Musical Language of Two Ives Songs.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Freed, R.
Year: 1976
Complete Citation:
Freed, R. “Songs of Charles Ives: A Listening Experience One is as Eager to Share as to Report.” Stereo Review 37 (September 1976): 86.Source: Magazine
IV. Individual Studies by Genre
E. Songs
Friedberg, Ruth C. and Robin Fisher
Year: 2012
Complete Citation:
Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Gann, Kyle
Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Goldman, Richard
Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Goleeke, Thomas
Year: 1984
Complete Citation:
Goleeke, Thomas. Literature for Voice: An Index of Songs in Collec-tions and Source Book for Teachers of Singing, 56-60, 65-66. Metuchen, NJ: Scare-crow, 1984.Source: Book
IV. Individual Studies by Genre
E. Songs
Graddy, Julia H.
Year: 2002
Complete Citation:
Graddy, Julia H. “Twentieth-Century Character Portraits for the Solo Voice.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 58, No. 4 (2002): 283-296.Source: Journal
IV. Individual Studies by Genre
E. Songs
Grannis, Lewis C.
Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Green, Douglass M.
Year: 1978
Complete Citation:
Green, Douglass M. “Exempli gratia: A Chord Motive in Ives’s Serenity.” In Theory Only 4 (October 1978): 20-21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1978
Complete Citation:
Green, Douglass M. “A Chord Motive in Ives’s ‘Serenity.’” In Theory Only Vol. 4, No. 5 (October 1978): 20-21.Source: Journal
IV. Individual Studies by Genre
E. Songs
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints: Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
Grill, Stanley
Year: 1982
Complete Citation:
Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.Source: Book
IV. Individual Studies by Genre
E. Songs
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hall, James Husst
Year: 1953
Complete Citation:
Hall, James Husst. “The Later American School.” In The Art Song, 284-287. Norman, OK: University of Oklahoma Press, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hamm, Charles
Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hamm, Chelsey
Year: 2017
Complete Citation:
Hamm, Chelsey. “Charles Ives’s Songs for “Horn.”” The Horn Call 47, no. 3 (2017): 92.Source: Journal
IV. Individual Studies by Genre
E. Songs