Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Style and Substance: ‘Ann Street’ by Charles Ives.” Perspectives of New Music, No. 4 (Spring-Summer 1977): 23-33.Source: Journal
IV. Individual Studies by Genre
E. Songs
Swanson, Alan
Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.Notes: Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Tenney, James
Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.Source: Liner Notes
IV. Individual Studies by Genre
E. Songs
Treat, William Upton
Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Upton, William Treat
Year: 1930
Complete Citation:
Upton, William Treat. A Supplement to Art-Song in America, 1930-1938, 26-27, 38. Boston, MA: Oliver Ditson Company, 1938.Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 1938
Complete Citation:
Upton, William Treat. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1938): 11-30.Source: Journal
IV. Individual Studies by Genre
E. Songs
Velten, Klaus
Year: 1983
Complete Citation:
Velten, Klaus. “Ein Komponist zwischen den Zeiten: traditioneller Geist und fortschrittliche Gesteltungsweise in Klavierliedern von Charles Ives.” Musik und Bildung: Zeitschrift fur Musikerzeihung 15 (December 1983): 11-17.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Von Glahn, Denise
Year: 2019
Complete Citation:
Von Glahn, Denise. “The New River Updated: Charles Ives and the Disappearing River Gods.” Cultural Sustainabilities: Music, Media, Language, Advocacy, edited by Timothy J. Cooley, 113-128. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Walker, Donald R.
Year: 1975
Complete Citation:
Walker, Donald R. “The Vocal Music of Charles Ives.” Parnassus: Poetry in Review 3 (1975): 329-344.Notes: Part of “A Garland for Charles Ives”
Source: Journal
IV. Individual Studies by Genre
E. Songs
Ward, Jennifer A.
Year: 2014
Complete Citation:
Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.Source: Journal
IV. Individual Studies by Genre
E. Songs
Williams, Thomas
Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
Young, Percy Marshall
Year: 1954
Complete Citation:
Young, Percy Marshall. A Critical Dictionary of Composers and Their Music. London, United Kingdom: Dennis Dobson Books, 1954.Notes: Claims that the Concord Sonata was given its world premiere at the International Society for Contemporary Music meeting in 1928 at Salzburg. Lists very few Ives works “for per-formance and study.”
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
no author listed
Year: 1940
Complete Citation:
“Ives, Charles Edward.” In Baker's Biographical Dictionary of Musi-cians, edited by Nicolas Slonimsky, 545. 4th ed. New York, NY: G. Schirmer.Notes: There was no entry for Ives in the first two editions, 1900 and 1905, edited by Theodore Baker, nor in the Third Edition, 1919, edited by Alfred Remy.
Reprints: 5th ed., 1958: 765--766. 6th ed., 1978: 804--806. 7th ed., revised by Nicolas Slonimsky, 1984: 1092--1095. 8th ed., revised by Nicolas Slonimsky, 1990: 832--833. 9th ed., 2001 (Centennial Edition), 6 volumes. Nicolas Slonimsky, Editor Emeritus; Laura Kuhn, Baker's Series Advisory Editor. “Ives, Charles E.” by Nicolas Slonimsky/Laura Kuhn/Dennis Mclntire, Volume 3: 1683--1685. * Supplements, edited by Nicolas Slonimsky, 1965: 61; 1971: 110.
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1951
Complete Citation:
“Ives, Charles Edward.” In Who is Who in Music, edited by J. T. H. Mize. 5th ed. Chicago, IL: Who is Who in Music, Inc., 1951.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1953
Complete Citation:
Ten Songs by Charles Ives. Musical Courier 148, no. 6 (November 15, 1953): 26.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
“Charles Ives ‘Evening.’” Milton Newsletter, vol. 3, no. 2 (1969): 23.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2016
Complete Citation:
“Charles Ives.” In Recueil biographique sur divers compositeurs dont le nom commence par les lettres I à K: dossier biographique. Bytom, Poland: Frodo, 2016.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries